Up in Harlem!

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Driving back across the I95 towards the GW Bridge after a short trip to Philly last night and getting eager to get home, I switched from my own playlist over to Funk Flex’s radio show on Hot 97 just to hear Flex going absolutely bezerk (in typical Funkmaster Flex fashion) over this new cut ‘Up in Harlem’ by Miss Hustle featuring Vado and Neek Bucks. “This what my city sound like!” “This what Harlem sound like!” screamed Flex over and over again. I started getting equally hyped and driving faster, becuase playing Flex at max volume after you’ve been driving for a few hours, as he starts going wild, tends to do that to you. At first I thought he was just playing the ‘Up in Harlem’ sound bite from XYZ or I was hoping Jim Jones’ and Max B’s ‘Up in Harlem’ from Jim Jones’ ‘American Gangster’ mixtape from about 10 years ago but I thought this would be unlikely just given how old and obscure the track was. Awesome, but unlikely. To my pleasant surprise, it was a brand new song using the same sample, by a female artist I had never heard before called Ms. Hustle, featuring Vado and Neek Bucks, and they actually killed it.

The sample is from a 1977 hit called ‘Native New Yorker’ by the soul/disco/dance band Oddyssey. Jim Jones and Max B first used it for their own ‘Up in Harlem’ about ten years ago on a track that is one of my favorite Jim Jones songs of all time (if not THE favorite) and may get its own post in the next couple of days, with shimmering production and a great verse by Max B (obviously before their falling out).

But the three artists on this track definitely make it their own and make it a memorable and welcome addition to the Harlem iconography in its own right. Vado pays homage to Harlem and NYC legends like Big L, McGruff, Ma$e and of course Killa Cam in his verse and I love his line ‘Ski rack on the Range, the inside champagne”, and raps the chorus “Where A and Rich got rich at, blocks and strip packs to get crack, grams sold we did that, parades we went strapped… the known mecca forever proud, where you won’t see Kevin Liles but Kevin Chiles, where you was blessed to meet Big L, party with Hud 6, Von Zip”. The ‘parades we went strapped’ line goes perfectly with the sample for the chorus and perfectly captures the rags to riches, 90s-nostalgic uptown vibe of the song. The chorus is rich with references and tributes, to deceased Harlem rappers Big L and Huddy 6 who tragically died before their time, to larger than life neighborhood legend Eric Von Zip, and implying that you’re more likely to see former drug lord Kevin Chiles around than record executive Kevin Liles.

Ms. Hustle keeps it real with a gritty and hard-nosed verse that also captures the vibe of the neighborhood rapping ‘Right up the block from the A Train, outside the Chinese store, go f*ck with Mai Ling, we sell that China White I call it Beijing,’ and ‘Can’t forget the homies up in Polo… all my niggas real they still say ‘no homo’, we shop uptown and get garments from Soho’.

Neek Bucks comes out swinging for his verse rapping ‘All these diamonds can’t see the time tick, laces off the Louie’s ’cause Harlem niggas don’t tie sh*t, ‘jects baby I was born broke Ima die rich, Cuban off of the Coogi I feel like Biggie in nine six.’ Later in the verse, I can’t quite tell what he’s rhyming it with but I also like when he says ‘Get a deal, bail out all my niggas when the advance comes, every time they said I was broke I put a band up, I’m just trying to make a million off a Samsung’.

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All in all, this collaboration was a great way to bring new life to a classic beat/sample, pay homage to a ton of colorful and larger than life figures in Harlem and NYC history, and showcased the skills of three newer artists from the area. It was a really fun song that gets you hyped up feel good to be in NYC, especially with Funk Flex playing the best parts over and over again and yelling about them in typical Flex fashion, and I hope that it stays in the rotation on New York radio like it deserves to!

Dave East – Mask Off (EastMix)

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I was somewhat neutral towards Future’s Mask Off the first time I heard it but it steadily grew on me after a few listens. You can already see Metro Boomin’s flute-infused beat beginning to cast its influence over other rap production, i.e. Drake’s ‘Portland’ with Quavo and Travis Scott from his new More Life album. I can’t pinpoint why but it also has a vaguely similar vibe to Tunnel Vision on Kodak’s new album, which was also produced by Metro Boomin (this guy is on quite the winning streak right now). It’s just another one of many beats by Metro Boomin that will go down as a touchstone of its era. I was surprised to see that this was actually Future’s highest-charting single of all time, just for the fact that he has had so many huge songs over the years.

Since the song has taken off like a rocket, it’s inevitable that other rappers will be doing their own freestyles/remakes over the unique beat, and one welcome addition is Harlem’s own Dave East, who did his take on it as part of his ‘East Mix’ series. East is a very proficient rapper with a lot of dexterity and he puts it on full display over the Mask Off beat, with a number of impressive lines, for example  my two favorites from  it below…

“Dirty project kids in A-list parties we be wildin in it, steak medium well, mashed potatoes and some salmon with it, a true father won’t cop unless his child can get it… walking up Lennox just ‘cause Malcom did it”

“Back and forth over whose the hottest got the whole city riffin, I ain’t never laced foamposites I wore my Penny’s different, they gave my cousin life so f*ck it I’ll take a million visits.”

So far Dave East has the best take on Mask Off in my humble opinion and it will be a tall order for anyone to displace him at the top, will be interesting to see what song he remakes as his next ‘EastMix’

A Homage to AR-Ab (Top 50 AR-Ab Lines of All Time)

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Whether you love him or hate him, you have to admit that AR-AB is just about as real as they come. He’s not the kind of music you’re going to put on if you have a female coming over or the type of rap you’d throw on in the background for a family party. He’s almost impossibly violent to the point that some of his lines are almost unpleasant to listen to. I’d go as far as to say he may be rap’s most ‘unpleasant rapper’. He’s constantly in aggressive mode and I don’t know if he can make a chill, laid-back song. He’s also been doing this for a LONG time, and he’s refused to buckle to the trends in the genre that have come and gone or to change his style for anyone. He’s refused to tone down his aggressive rhetoric even when it may have behooved him commercially. And in terms of sheer bar for bar creativity and technical mastery, he’s an absolute maestro. He may be one of the best pure ‘rhymers’ in the game, and has more punchlines that make you rewind the song again than almost anybody I can think of. Sure, that style may be somewhat out of fashion right now but he’s the king of the punchline and zigs where others zag, he doesn’t care what’s popular or what’s not. Hailing from one of the bleakest and desperately poor parts of north Philly (known as ‘the Badlands’), he perfectly encapsulates his city’s hard-working, blue collar, grimey and gritty image. AR-Ab IS Philly.

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Tee Grizzley – My Moment (Album Review)

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Tee Grizzley – My Moment

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After taking the rap world by storm with an out of nowhere, once in a decade type debut viral hit single, and signing with record label 300 Entertainment, it seemed like it was high time for Detroit’s Tee Grizzley to take advantage of the monumental hype and release a full project. He teased out a few singles like the aggressive and high quality ‘Straight to It’ with fellow Detroit residents Band Gang, as well as a collaboration with Lil Yachty, but I’m glad we now have a full release from him as we were left wanting more and I felt like he was just scratching the surface, and its great to see that he is much more multidimensional and versatile than a one hit wonder.

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Kodak Black – Painting Pictures (Album Review)

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Kodak Black – Painting Pictures

Given that the only narrative arc with as much scope to it as Kodak’s elevation of his status into both a local folk hero and a veritable cult hero a la a Gucci Mane or Boosie to his rapidly growing legion of fans is the constant specter of legal troubles that has haunted his young career so far, its fitting that rather than with lyrics or a catchy chorus, his debut album Painting Pictures begins with just a stark, minimalist medley of clips from the news of newscasters reading off headlines mentioning his indictments, house arrests, parole violations, no contest pleas, etc. “You know I’m a hot boy, but I never lose my cool, the streets on fire, that’s why I’m riding with a tool,” he raps over the understated, twinkling production from Ben Billions after this on the excellent, minimalist album intro “Day for Day”, who produced many songs on this album. He reminisces on lost friends, both to death and incarceration, like his childhood friend Cool, who he has already done a separate song about (Free Cool). You get a sense of the heaviness he has already felt on his shoulders at a young age from these losses as well as from the pressure on him that he feels (whether internal, external, or both) to succeed for those around him, “I ain’t tryna see the pen I’m tryna make it shake, neighborhood hero I’m the one who gon save the day, chosen one; my folks depend on me to make a way, I do it for my niggas locked up doing day for day.”

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Glock Inside My Benz, No Such Thing as Friends

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I was planning out a different post today but this song by Smokepurpp was just too wild for me not to put this up. It’s such a crazy mix of melodic and ominous. The TM88-produced beat is so hazy and shimmery it’s one of my favorite beats by anyone I’ve heard in a while. I love the voice Lil Purpp sings the exceedingly blunt chorus in, ‘Glock inside my Benz, no such thing as friends.’ Sonically, the song doesn’t really have much in common with Chief Keef’s ‘Citgo’ but for some reason the vibe and the dreamy, sunny haze mixed with the ominous lyrics give me kind of the same vibe as Citgo.

I don’t know a lot about Smokepurpp besides that he’s from Florida and that he and Lil Pump seem to be associates. The first I had heard of him was a brief mention in Lil Pump’s song ‘Lil Pump’ where Pump makes the claim that the pastor at church told him that he and Smokepurpp were ‘off the purp’.  He doesn’t have a ton of material out yet but this is definitely my favorite song I’ve heard by him so far and I keep blasting it over and over again. I’m probably a bit older than the demographic that these guys are getting really popular with but I really like what they’re going in terms of doing their own thing and creating almost a whole new subgenre within rap along with guys like Lil Peep etc. I only found out about them this winter but they’ve def built up quite a bit of momentum; both Smokepurpp and Lil Pump are nominees for the XXL Freshmen Top 10 cover.

Floria is a really diverse and interesting state music-wise, you have everything from the dreamy trippy new wave stuff from these guys like Lil Pump and Smokepurpp to Kodak Black to 1wayFrank to even stuff like Rick Ross and of course xxxtentacion.

Definitely an early frontrunner for one of my top 10 songs of April

 

Film Review: Kodak Black – Project Baby (prod. by WSHH)

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Kodak Black released his seminal debut album Painting Picures last Friday, and for most rappers that would have been enough for one week, but for someone who casts as long of a shadow as Kodak, it’s unsurprising that there was also a short biopic style documentary produced by World Star Hip Hop that was released leading up to the album (I will be putting up a review of this album in the coming days, I need to listen to it a couple of more times and let it really sink in before I finish my review, as it is such an impactful album).  The recent and sobering news (also revealed at the end of Project Baby) that Kodak was again locked up in Florida right as his biopic and album were released was almost surreal since so much of his music has been about his trials and tribulations of going through the legal system, serving time in prison, and not just the personal struggles that have come along with this but also emerging from the setbacks stronger than ever, with his faith intact, and with a wealth of material to release. Thankfully, according to sources, this most recent run in with the law was just a violation of his probation or house arrest and he should be out free again in a few weeks.

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Wild Life Right Here, No Safari – Cam’ron Crushes 10,000 Miles

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Who else besides Cameron Giles would have not only the boldness and audacity to not only rap over a sample from Vanessa Carlton’s ‘10,000 Miles,’ but also the skill and imagination to actually make it sound incredible? This just came out last night but I think I’ve already played it about 100 times after my boy BG thankfully alerted me about it; it’s just that infectious.

Cam takes on a different perspective here, narrating what is basically a story of a breakup and regretting not appreciating what you had until it’s too late, wishing things could have been different. It’s interesting perspective to hear because while Cam’ron has lived such a colorful lifestyle, this is a theme that pretty much every single person out there can relate to and has experienced to some extent. You can really feel what Cam is saying in the beginning, often the people that have loved us the most become the ones that can’t even stand to look at us after we wrong them. Unfortunately we all know what he means when he says he knows he was wrong but has too much pride to apologize. You get that classic Cam flow right after that, ‘iPhones and cameras, nights in Atlanta, tried to bring her gifts she said you ain’t Santa’ before he reflects that it’s ‘Hard to believe I messed trust up.’ That is a terrible feeling when you try to fix things by buying gifts etc. but the ship has already sailed and no effort on your part can fix things and you finally realize it’s too late. Since Cam is in his early 40s now, it’s cool to hear him rapping about a more ‘everyday’ type theme like this with a wise perspective .

Cam’ron absolutely slays this beat by casually rattling off quick and deft punch line after punch line in a way that works perfectly “Day to day life dealing with reality/lawyer got me off on a technicality/all I think about, we was Mickey and Mallory/nothing left but increase my salary/now money is the focus/hustling president POTUS/anything else right now is bogus/real estate opened up I gave notice/murder was the case Calvin Broadus/blue magic though hocus pocus/they forgot that my dope’s the dopest’.”  “Made a mil in one week yeah it’s poppin’/retail therapy I’m shopping/pulled off the lot, top dropping/no legs on the car but it’s bopping/speakers in the door so it’s knocking/I got all the keys so I’m locked in/felt above the law, Johnny Cochrane/and I’m off the rebound, Rodman.’ The way Cam just adeptly layers on reference after reference and paints such a picture with literally every single line/word is approaching a level of skill and mastery that you rarely ever hear. You could almost take any verse from this song (or almost any other Cam songs) and teach a class or write a textbook with it, from the pop culture references to how to set a scene and tell a story.

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Free Trap Boy, Free Cool, I’m Going Hard I Ain’t Going Back to School

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Kodak Black – Ran Up A Check

I don’t know what the sample used in this song is from but there’s something instantly familiar about the funky and bouncy riff that makes it the perfect song to bump on a nice spring or summer day; it reminds me of a skating rink or a block party. Something about it just screams Florida even if you didn’t know that Kodak is from Pompano Beach. Indeed, a young Kodak here is fully aware of this jam’s summery appeal as he commands listeners, ‘Y’all slide this til school start back’.

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Lud Foe – My Life

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It’s always a great feeling when an exciting new artist you like makes a new song over a beat you love from an old song and brings it back to life for you, which is exactly what Lud Foe did for his song ‘My Life’ off of his new ‘Get Well Foe’ EP. Foe reaches way back into the vault and repurposes Kanye West’s ‘Family Business’ in a remake that is as unexpected as it is awesome.

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