Made a quick stop at the vaunted Vince Lombardi service area on I-95 in Jersey the other night during a business trip and was pleased to see a couple of local hard rocks blasting this at car-shaking volume out of a Toyota right outside the entrance. One old head was just marching around the car fist pumping during the “GDK and I don’t even play about it” part lol
I KEEP A GLOCK, WHEN IM IN CHURCH
NYC summertime music of a different variety, RIP Pop Smoke
Sorry to leave you all for so long, I’ve been super lazy about posting lately and have had a lot of my attention tied up with a lot going on (mostly good things dont worry). I’m back in the saddle now, didn’t realize I hadn’t posted in almost 6 weeks, probably the longest I’ve ever went without a post! I also just celebrated my 34th birthday this week, where does the time go? It seems like just yesterday I was a youngster listening to Dipset, Max B, Gucci Mane, Waka Flocka Flame for the first time and that was probably about 15 years ago now. Still have to post my January list although it will be shorter than usual.
Haters will say that Fivio raps in bullet points… does it really matter when the bullet points are all fire? Fivio really is the king of New York right now, and has been since last spring in my opinion (although he mentions in the first verse here that he could care less about who holds this title). This AXL beat has me ready to go to war and I’m a nerd.
This first verse/hook is flames… one of the hardest I’ve heard Fivio go… they may be bullet points but he’s turning the bullets into an art form, and as far as I’m concerned that’s called being an innovator…
“War Everybody on the floor We don’t knock we shoot through the door We give a fuck who the king of New York I say what I mean when I talk the hood ain’t showing no remorse gun fights in the hall bullets going through the walls My niggas cripping for a cause”
P.S. I grew up as a Mets fan but I kind of want that blue and green Yankees hat Fivio’s boy is wearing at 0:49, so hard
One of the tres amigos behind last year’s ‘Waka’ is back with a new project, ‘800 BC’, and while the project is not as fun as Waka, and is in fact a very different, MUCH darker vibe, the whole project is fire, highlighted by the opener, ‘Drive By’.
It seems like since ‘Waka‘ (the post on Waka is actually by far the most read post on this website, believe it or not), Fivio Foreign has only gotten bigger and bigger, for example releasing probably the biggest Brooklyn drill song to date (Big Drip), getting a Meek Mill feature on this project, to now going where perhaps no Brooklyn drill rapper has gone before, getting a feature on Drake’s new album. Say what you want about Drake, but he’s the unparalleled expert of latching onto the buzz of new rappers and scenes right as they’re blowing up (i.e. Lil Baby, Blocboy JB), so this certainly solidifies Fivio’s star status and perhaps that of Brooklyn Crip rappers and Brooklyn drill itself. I had actually been bumping the 800 B.C. tape and ‘Drive By’ in particular all week so imagine my surprise when I lazily clicked to see the tracklist of the unexpected new Drake album on Friday morning and saw that Fivio was one of the few features.
If I had to define Fivio’s ‘identity’ or what makes him unique in the rap game, it would be hard to pinpoint an exact feature but I’d point to his heart, grit, aggression/anger, and that he just absolutely HATES opps. ‘Drive By’ is the perfect example of that. It’s a total tour de force by an artist just coming into his own and reflecting on both the triumphs and losses on the road to get here as well as where he’s going next. The beat is sick and almost a calm backdrop to the anger that Fivio punishes the track with; I’d describe the vibe of ‘Drive By’ as almost apocalyptic, it’s Fivio riding around the ruins of the city in a tank after he won a war there and surveying the damage and carnage of his victory.
“The opps tell me we be going too hard, we be shooting too much we be going too far”
“I’ve got wolves I’m still feeding them off. I’ve got money so I’m feeding them all. Stood tall when they needed to ball. Ten toes, two feet on the floor.”
“Fovvy, boss, now I could by me a loft. But I ain’t satisfied at all. Still got Fetty (?) in the fort. Going back and forth to court. Couple of fights that still need to get fought.” On the one hand he’s enjoying newfound success and touting the money and fame that signing a major label deal brings, but on the other hand he’s still focused on vengeance and settling old scores.
“Fovvy, I’m different. Everyone know that I’m gifted. 2 shots for the wicked. Pull up, silence, critics. It’s my crib you evicted.”
Also anyone else reminded of Chief Keef’s ‘Now it’s Over’ by the mansion and specifically the staircase?
I’m also loving the plain blue Balenciaga hat
(P.S. interestingly, Fivio was somehow left off of the ‘Waka’ remix featuring Waka Flocka himself?)
Jim Jones ft. Fabolous, Marc Scibilia – Nothing Lasts
Jones!
Yimmy is back with a new album El Capo to follow up on last year’s somewhat overlooked Wasted Talent. I can’t decide which I like better yet after a couple of listens but they’re both good. Jim is having a nice little Indian summer to his career with 2 straight solid albums in 2 years, and has evolved from probably the least checked for main member of Dipset (through no fault of his own) to arguably the most checked for and is going the strongest of all them with the most consistent output. After a couple of spins so far I’m really feeling this one, Mama I Made It, and Don’t Know What they Took Him For (which has a Philthy cameo!).
I can’t decide if ‘Still going cray on them like a coloring book is one of the best lines I’ve ever heard in a rap song or one of the worst lines I’ve ever heard in a rap song.
This production with the Lionel Richie sample is sounding downright godly. Heatmakerz have a lot of nice beats on this album. I’m not sure who the hell Marc Scibliani is or why he’s all over every song on this album but he doesn’t sound bad on the hook here so I can’t hate, and let’s be honest no one could ruin this sample. Imagine if Jim wanted to get a little wavy and got El Debarge on the hook? Or if he was hellbent on going down the white R&B singer route for whatever reason, if he sprung for like a Michael McDonald or the guy from Hall and Oates or something? Lol. Either way Jim definitley has a nice smooth summer jam on his hands here. In a perfect world this would be a summer hit on radio.
From the fact that it’s loosely a Waka Flocka Flame homage in 2019 to the Mexican sombreros to the ridiculously fuego spin move that they choreographed at 0:33 I’m down with everything going on here and want more of it. This is the hottest song I’ve heard out of NYC (or pretty much anywhere) in a minute. Only in NY could you hear a rap song with no Hispanics in it mentioning bachata, pandejo, etc. The beat is dummy hard too.
“Oh let’s do it like I’m Waka, met her out in Opa Locka, baked potato with the lobster, that’s my baby – Goo… Gaga”.
Added bonus in the Youtube comments is a female Doordash delivery driver saying that she watched the video because these guys told her to check it out when she delivered food to them.
This always amorphous Brooklyn GD/Blood/Crip beef is serious and Game of Thrones-level complicated but I think these guys are Envy Caine’s (who I’ve posted here before) opps based on my extensive research of Youtube comments but like I said last time I don’t want to wade into all that I’ve got love for everyone I’m just here to enjoy the slaps. I’ve got to check out more of these guys’ videos.
P.S. for the record I’m definitely strongly in favor of silkies making this big comeback in 2019 I’ve been seeing them everywhere lately.
Dave East – No Pork / Kiing Shooter ft. Dave East – 30 Percent
Welcome to the Pink C Bodega where we got two Dave East loosies for a dollar.
Coincidentally we’re staying on our recentNYC Crip wave with this post although now we’re heading from Brooklyn uptown to Harlem.
East has me lacing up my Timbs and throwing on a big Marmot jacket with this first one. The smooth ‘No Pork’ might be the magnum opus of East’s career thus far. It’s a ‘classic’ sounding NYC rap song done right without sounding dusty or too formulaic. This is that classic wintertime music, and the type of track that you want to play while you’re hunkering down at the crib or out on a rare nice sunny day in the winter. East goes into full-on nostalgia/story-telling mode as he takes us on a trip down memory lane through the ups and downs of his life growing up in Harlem.
“I told Shooter (see below) we gon get rich no matter what, they was happy when we was down now when we see them they made as fuck. We don’t got to live in the projects no more, I dropped out, but it’s funny I’m hitting college on tour. I need ’em fresh, cop em again if I copped em before. Charlotte Hornets top and bottom, colored aqua velour. Ahki used to let me in after the locks on the door. I ain’t speeding, I ain’t smoking, what the fuck you stopping me for? I hid my first .38 behind the socks in my drawer, my mama asked me why you got a gun, you not going to war? If I go get a cigarette there might be opps at the store.”
Meanwhile 30 Percent is the first track from his aggressively-named protege Kiing Shooter’s mixtape ‘Fucc the Doubters’. The interplay here as East and Shooter trade bars back and forth like a Styles and Jada is great. Whereas ‘No Pork’ is the type of song you could kick back and relax at home listening to, ’30 Percent’ is more of an aggressive one you’d blast when you’re in the mood to get rowdy. Shooter has a dope and pretty unique-sounding deep/’blunt’ voice and raps over the top ignorant lines like “I’m creeping through the back window hoping they don’t keep alarms, .40 on me just in case the dog or the grandma home.”
Poppa da Don, Dave East, Tulito, Trap God Mula – Crip Shit
It’s turning into winter fast out here, and you know what that means, it’s that time of year to hunker down, lace up the Timbs, throw on a big Marmot jacket and see what’s going on in the big apple. These NYC Crips have really been coming out with some heat lately. Here, we get two of the best linking up and Brooklyn and Harlem joining forces with Poppa da Don and Dave East, along with Tulito and Trap God Mula/Sha Mula who may have the best verse of all on this one.
I love the pure energy and fervor Mula brings here as he says ‘Sha Mula I’m the Trap God, probably made $100 thou in my backyard,” pounding his fist as he raps it. “Blue flag 100 Locs I’m moving wocky nigga, 2-seater, I8 they couldn’t stop me nigga!” I’m hyped off of the defiance he’s spitting with.
East makes a typically solid contribution here as well, and also just released arguably the best song of his career, in my opinion, with ‘No Pork .’ Poppa da Don put out a total banger ‘Smoked‘ with Abillyon over the summer which I think is going to start blowing up even more because Meek Mill was talking about it recently.
My only very minor gripe with this one is that I wish they grabbed my man Top Dolla and got him on this one this would have been perfect for him!
Your host got caught lacking in his car trapped in the big east coast snow storm last night for over 12 hours on the same mile of highway but fuck it it takes more than a few snowflakes to kill the old Pink C. And not only am I alive and well I’ve been on a NYC kick lately catching up on some of these young bols. Even though I’m hella late on this one from Brooklyn’s Envy Caine but I’ve been blasting it non-stop. This is the intro to his ‘2 Many Situations’ mixtape from the spring.
“Damn, My whole city AGAINST me, but fuck it cause I got all these killers with me”
I love the raw aggression/malice and the me against the world ethos that Envy delivers that bar with. Almost reminding me a bit of AR-Ab.
This song goes so hard/aggressive it’s the new song I play when I want to get angrier in a situation, like in traffic or in a long line at a store, although that’s actually probably a counterproductive strategy on my part.
I also love the delivery of “Opp niggas throwing salt, tryna bad mouth” line. Salt kills snails but not Top Opposition.
This Set Trippin remake actually goes hard and puts a bit of a unique twist on it.Even 6ix 9ine’s harshest critics have to admit he at least caused Casanova to make ‘Set Trippin’ which then caused a wave of Set Trippin remixes all over NYC and beyond, some better than others, my favorite of which ultimately turned out to be this one from this OG ‘Top Dolla 60′ trying his hand at it. Until some further research I actually wasn’t even sure if Top Dolla 60 is an actual rapper or if he’s just doing this as a one-time thing to get a few points across but damn it I’ll take him over half the rappers out here these days, the man has charisma and stage presence, so now I want to check out the rest of his material.
I love the skit at the beginning – almost feels kind of Jim Jones-esque; I feel like we need more skits/vignettes in the beginning/end of vidoes again. To summarize; Top Dolla and his boys are cooling out on the block when an erstwhile Blood is unlucky enough to stumble across their path. Top Dolla disappointedly asks him when/why he turned Blood and chides him for turning Blood in prison upstate, presumably for protection, when he didn’t even have to endure a long bid. Top Dolla’s henchman also takes his flag out of his pocket for wearing it on the wrong side. (Also, note at 0:59 the old Italian-looking guy is loving this skit!) But then finally in a surprise twist, Top Dolla acts fairly magnanimously and decides to spare him further punishment because they grew up on the same block, their moms know each other, and he basically watched him grow up. Knowing that this small fry is no match for him, he lets him cross the street and leaves it to the Damus down the block to deal with him as they see fit.
The navy blue and gold Pelle Pelle jacket he’s rocking looks sick and goes well with his standard Yankees hat, always a timeless classic. There are a lot of dope clothing choices in this video amongst his crew, whether it’s his boy in the Seattle Mariners pullover or the guy with the rarely-seen New York Islanders jersey. Perhaps best of all is the even rarer Minnesota Wild hoodie. I’ve got to just be upfront and say it, I’m not saying one is better than the other and I have no dog in this fight, but it seems like Crips seem to have a better and wider overall selection of teams to choose gear from then the standard Chicago Bulls or Philadelphia Phillies stuff that you usually see in vidoes from their counterparts on the other side of this divide.
I like the raw aggression/energy and just sheer gravity Top Dolla brings to his version of the song, you just feel an added weight with some of the lines since you know he’s lived what he’s rapping here and feels strongly about it. To him this isn’t a fashion statement or a trend like it is to many, this is his life. He mainly talks about being in the minority as a Crip (and more specifically a Neighborhood Crip) at Rikers Island and the NY State prison system, and standing tall/keeping his head held high about who he is whereas many others were afraid to claim in jail since they were vastly outnumbered, a theme he hammers home again and again… “Some niggas pick and choose when they rep, we gotta fix that, if you reppin over there adn not over here, you gettin’ bitch slapped…on Rikers I was making it known, they can’t forget that, and up north, I was keeping it funky like where the Rips at?”
‘Young top Dolla a known threat; 18 Years, Neighborhood, only been one set. They tuckin from the streets to the jail, nigga I bang mine, the Six is like kids around tax time, I claim mine. What I hate is tuck and tell, knowing well, they get in a spot with some Crips, they claimin’ other jails.’
I love his spin on the chorus; ‘Throw your hood up, nigga bang, on Rikers Island a lot of niggas they was scared to claim, Neighborhood nigga that’s the gang…Who loc’d you in, how’d you turn cuz? You went up North and you turned blood?”
“Got a real community over here, my Neighbors with me”
I like the fact that he includes some Bloods in the video that he considers ‘real Bloods’, as he says, “Got Fam that throw B’s but cuz I bring them C’s out”. Apparently even Casanova himself was down with this version of the song, judging from IG.