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Tag Archives: NYC

If She Throw Me on Snap than I’m Breaking Her Phone!

27 Saturday Jan 2018

Posted by pinkchardonnay in NYC

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Bronx, Dave East, Don Q, Harlem, NYC, Ray Mula, uptown, Wassup

Ray Mula – Wassup 

Ray Mula ft. Dave East, Don Q – Wassup with the Wassup Remix

Had been wanting to throw up a post about Ray Mula’s ‘Wassup’ for a week or two and hadn’t gotten around to it, and now a remix of it just came out with Don Q and Dave East jumping onto it in addition to Ray’s first verse from the original.

The song title had me feeling like it was going to be like a 90s Budweiser commercial but Ray kills this. He has his own style but also almost brings an AR-Ab type of presence/quality (which is a very good thing in my opinion) in terms of both his voice/delivery and the fact that he has non-stop quality bars which mix in both humor and grittiness. This is what NYC rap is supposed to sound like.

“Shorty sleeping on the hookah so we made her pay for refills. I’m still taking her home, but if she throw me on the Snap than I’m breaking her phone.”

“Used to wake up for the count now I wake up just to count.”

“8 Ball rolling, nigga no pool, trap house jumping more scales than Whole Foods”

No homo but I love Mula’s voice it’s perfect for this type of song.

“I was fucking all these hoes way before I started trapping, looking like a rapper way before I started rapping. Yeah I’m from the 8 talk about it make it happen, we could get it poppin, we could get it crackin… Harlem world AKA money making, hoes started liking, niggas started hating. Tried to keep it funky, niggas started faking, grip on deck but we can still get it shaking.”

The original was already a banger and then when I was getting ready to catch up on some posts I saw on my recommended videos on Youtube that there’s already a remix out now from a couple of days ago. The original ‘Wassup’ only came out in November so these guys definitely jumped on this remix fast because they know it has the potential to be big. I like that they didn’t change up the video for the remix; they still just shot it in front of the same housing complex; all that’s really changed is the more appropriately-heavy looking jackets since it’s been absolutely freezing in New York this winter. Mula switches from a bright green windbreaker to a yellow and black North Face, and there aren’t any dirt bikes out this time.

Dave East has been a busy man lately between releasing Paranoia 2 and adding a sick verse to this remix.

“I was on some broke shit, roaches by the mattress, on some Loc shit way before I started flagging.”

“All this double G be on me got me fucking nigga’s wives. Came home without a scar, could give a fuck about your life.”

I’m not sure what Dave East’s chain is but it’s looking super frosty here.

Don Q makes the trip down from the Bronx and puts the song over the top with his verse..

“I be walking through the fire when the smoke clear. Tell my niggas open fire when the coast clear. Yeah that block was on fire but I post there. Don’t stand by that car tire we got coke there. Fuck a prince nigga I got king status. Stuffed $200,000 in a queen mattress. All my ice bright nigga I done seen darkness, my lawyer got pistol cases looking like weed charges.”

I liked the simple but kind of harsh beat for this song and these guys went 3 for 3, all obliterating it with their verses.

Even the little details of this video like putting the rapper’s name on their screen as they start or the fire graphic that comes on the screen when Don Q says ‘I be walking through the fire when the smoke clears’ give it that classic feel.

Ray and the team definitely deserve to start getting some heavy rotation on NYC radio and beyond with this one.

 

Airedales, Billys & Tekashis

25 Thursday Jan 2018

Posted by pinkchardonnay in NYC, Uncategorized

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Brooklyn, NYC, Seqo Billy

Seqo Billy – Billy Dat 

Crazy new song/video from Brooklyn’s Seqo Billy who starts 2018 with a splash. The beat is sick and Seqo snaps on it. I also highly approve of his use of a friendly and loyal-looking airedale terrier as the dog in this video instead of the usually far more prevalent pitbull which is normally the ubiquitous choice in these types of videos. Even the dog is flamed up with his red bandana. Watch this once or twice and you won’t be able to get the chorus out of your head, at this point it’s probably my most frequently played song of January.

“Red chucks low cut laces on the floor I’m really 9Trey, B-Hop all over a nigga’s face if he ever disrespect the gang. Always red flag when I billy rock, paint the town red make the biddy hot, bang like the niggas from Cedar Grove, trip on my set and get pita rolled”

And just to top things off we also get a brief non-rapping appearance-only cameo from one of his affiliates who just so happens to be one of the most divisive rappers out right now!

I CAN’T WAIT ANY LONGER FOR THIS TO COME OUT!

14 Sunday Jan 2018

Posted by pinkchardonnay in NYC

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6ix N9ne, A Boogie, Bronx, Brooklyn, Fetty Wap, Keke, New Jersey, NYC

https://www.instagram.com/p/Bd8KAP7Ar8Z/?hl=en&taken-by=6ix9ine_

Apparently today is finally the release date for Tekashi’s/6ix9ine’s ‘Keke’ with Fetty Wap and A-Boogie. Your humble host is over here just keeping his fingers crossed and hoping there aren’t any delays. They’ve been teasing this for a while now and I’m just hoping it doesn’t become a white whale of sorts like the unreleased Big Choo song that Big Choo has been haunting the Martorlialist with with Instagram snippets of for over a year without releasing.  I was a little worried that this new squabble with Casanova could put Tekashi in the way of bodily harm before he was able to fulfill his earthly destiny and release this fire but thankfully cooler heads prevailed and Cas decided in the interest of the greater good to not harm Tekashi until we could all hear this banger.

I’m most intrigued by Fetty Wap’s part since it sounds heavenly in the preview, and because he was an interesting inclusion for the song. I feel like 2 years ago or so Fetty Wap was arguably the biggest up and coming name in rap and then through no fault of his own he fell off the radar as fans, in typical fickle fashion, just moved on to the next flavor of the month, whereas Fetty Wap was still out here making some pretty good songs the whole time. He definitley still has something to bring to the table and I would love to see ‘Keke’ push him back into the forefront. I always like strange combinations for collabs and the combo of 6ix9ine, Fetty Wap and A-Boogie is definitely a juicy one. (Also bringing together Brooklyn, the Bronx, and Paterson NJ).

For now I’m just watching the Jaguars/Steelers game biding my time patiently awaiting Keke to make landfall.

P.S. – I’m also holding out hope for a Tekashi/PC Tweezie collab bc I saw a since-deleted post on the ‘Gram of the two of them posting up in Florida with PC Tweezie saying ‘He good in Florida’ but the fact that it no longer seems to exist makes me less confident that there will be a song forthcoming. That would be one aggressive song.

 

Kooooooooda

08 Friday Dec 2017

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Brooklyn, GS9, gummo, Kooda, NYC, Tekashi

6IX 9INE – Kooda 

I don’t know if Kooda will hit the same heights as Gummo or cause quite the same stir but it goes hard af (maayyyybe even harder than Gummo, this Nintendo-sounding beat is another sledgehammer) and I have to give credit where credit is due to Tekashi – I honestly thought Gummo would be a one hit wonder and then we’d never hear from him again but he’s definitely got a second hit on his hands here with Kooda. (Tekashi is coming up with some great names for these songs, better than his own moniker 6IX 9INE. He should consider just going by Kooda or even Gummo).

I like the part where Tekashi yells ‘We’re gon show what we about” partially because it sounds cool and partially because I actually am genuinely curious what exactly it is that he’s ‘about’.

I also like the ‘We don’t do the race, you gon die today’ line. A Tay-K reference/slight?

Imagine if you were an unsuspecting commuter just looking to use this subway station on a normal day and then walked in on this video being filmed? Lmao.

Shout out to the guys at about 1:04 just being an absolute menace to the public transport system. What exactly is he up to? Come on bruh the NYC subway system is already slow enough on its own without people blocking the tracks.

My only minor quibble about this one is the Hilfgier polo that Tekashi is wearing with the buttons buttoned up all the way to the top and the tips of the collar curling up, loosen up a bit bruh you’ve got a face tattoo and rainbow-colored hair, the top button isn’t going to make you look any more formal, you can loosen your collar a bit!

Between Gummo and Kooda Tekashi has really been taking the interweb by storm lately (I also even heard Gummo on late-night terrestrial radio the other night, a big surprise and a rare foray into FM radio by me not by choice but by bad circumstances) , acting as a blunt instrument to just hammer these hard beats with his abrasive flow. I’m looking forward to seeing what he comes up with next –  I have no idea what’s going on in the very beginning of this video, but based on the guy at 0:07, could we possibly get a Tekashi song with phoned-in Bobby Shmurda and Rowdy Rebel verses, just to break the internet? Would that be too much to ask?

 

 

I Used to Look up at the Lenox Ave Sign, on my Heart and Pledge Allegiance

17 Friday Nov 2017

Posted by pinkchardonnay in Dipset

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Cam'ron, Diplomats, Dipset, Harlem, Lean, NYC, The Program

Cam’ron – Lean

I don’t know if we even deserved Cam’ron lacing us with a new album, but I can’t think of anything America needs more right now. I wasn’t expecting this at all so I’m hyped.

Rather than an ode to the purple, slumber-inducing concoction, ‘Lean’ is literally a rap song over a beat sampling the 1972 classic ‘Lean on Me’ by Bill Withers. I guess this should come as no surprise since Cam’ron has mastered this type of song and rapping over these types of samples more than any other artist, whether it was Journey’s ‘Don’t Stop Believing’, ‘Oh What a Night‘ by the Four Seasons talking about the night he got shot in D.C. and drove himself to the hospital, or improbably rapping about IBS over the all-too-short ‘Any Way You Want It’, or one of my all time favorite Cam efforts, his take on Rose Royce’s ‘I Wanna Get Next to You’

Killa is rattling off lines like he’s in the midst of a lengthy, multi-decade prime here…

“I grew up with Big L, all I knew was ebonics; jealousy, crack, greed, homicide and chronic, where niggas catch a body change their name like the Sonics. It was hot like Phoenix, I used to look up at the Lenox Ave sign, on my heart, and pledge allegiance.”

“I share my wealth, humble beginnings, hunger strangled us, Pops had a choice, me or drugs, he chose angel dust.”

I’ve only listened to ‘The Program’ a couple of times so far but it certainly does not disappoint. A few early favorites aside from ‘Lean’ include Coleslaw, It’s Killa (the album opener, which brings back memories of the ‘Killa Cam’ intro from Killa Season), Chop it Up, and ‘Dime after Dime’ which features a welcome return from Sen City, which would also fit in with the examples above, as Cam’ron raps about serving fiends over Cindy Lauper’s prom classic ‘Time After Time’. Because of course Cam’ron would do that.

With this new album and a new song with both Cam and Jim Jones called ‘Once Upon a Time’ coming out a couple of days ago, hopefully this is just the beginning of a lot of new material from Dipset.

*Update: Didn’t realize there’s also already a video for Lean, see below. Dope video for this type of a song and I’m feeling Cam’s New York Lotto hat.

Image result for cam'ron

 

Sheck Wes – Mo Bamba

17 Thursday Aug 2017

Posted by pinkchardonnay in Uncategorized

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Harlem, Mo Bamba, NYC, Sheck Wes, Texas

https://www.youtube.com/watch?v=SW9mJMJx_mo

Rap songs named after NBA players just seems like a natural combination and a tale as old as time, really anything from Young Dolph’s ‘Lebron’ to Starlito’s ‘Black John Stockton’. We get another addition to that proud pantheon with Sheck Wes’ ‘Mo Bamba’ except that not only is Mo Bamba not an NBA player, he’s actually yet to enter the college ranks and suit up for the Texas Longhorns for the first time. The 7-foot tall center out of Harlem, the #4 overall player in 2017’s ‘ESPN 100′ chose Texas over Duke, Kentucky, and Michigan, and will be starring for the Longhorns this fall, so I figured Wes Sheck was from Texas but he and Bamba are fellow Harlemites.

“I be ballllllin’, like a motherf*ckin pro, I be baaallllin’, like my nigga Mooooooo”

The way Wes sings and drags out the words, pro, Mo, etc. in his gravelly voice is almost so abrasive that it becomes instantly catchy and melodic, almost like some of Tay K’s recent songs, or Chief Keef’s more experimental work, or of course XXXtentacion, but it is also his own unique spin on it. I also like the way he switches up his flow at about the 1:40 mark and goes into overdrive. The light beat by 16yrold and Take a Day Trip is really nice and goes perfect with the blunt vocals.

I would love to see Texas Longhorns run out onto the court with this as their intro music for home games this season but I’m not quite sure that that will happen, but alas a blogger can dream right?

Image result for sheck wes

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Tell the White Boys Sniff it up like an Aardvark

17 Saturday Jun 2017

Posted by pinkchardonnay in Dipset, Uncategorized

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Cam'ron, Diplomats, Dipset, Harlem, Lala, NYC

Cam’ron – Lala 

After your humble blogger here met Cam’ron at a Zumiez in midtown Manhattan last week, I decided to act like a middle-aged classic rock snob and go down a wormhole of sifting through nonstop Cam’ron ‘deep cuts,’ so to speak, for all my listening last week. ‘Lala’ from one of his ‘First of the Month’ projects from a few years ago, was the crown jewel of the songs I’d never heard before and actually may rank up there with even my longtime favorites.  I feel like this bouncy, piano-infused jawn by Killa Cam is a spiritual ancestor of Kodak Black’s ‘Patty Cake’. Does anybody rap over these types of beats better than Cam? Whether it’s rapping “weighed 220, with 2 honeys I moved money’ over the beat from Journey’s ‘Any Way You Want It’ or ‘The animals I grew up with? They extinct nigga’ over that ‘in the jungle’/’the lion sleeps tonight’ song, no one else obliterates these types of beats like Cam. A lot of other rappers would sound silly over them but he makes them into classics. (And let’s not forget some of the others like his songs over Journey’s ‘Don’t Stop Believing, the Four Seasons’ ‘Oh What a Night’ or even songs over… the Golden Girls theme song and Facts of Life theme song?!)

A lot of good lines in this one but my favorite has to go “Cocaine, we ain’t even in the ballpark, tell the white boys to sniff it up like an aardvark”. I have a weirdly disturbing mental image of ‘Arthur’ partaking in the illicit pleasures of the white girl now but hey that’s a small price to pay to add ‘Lala’ into my playlist of Cam classics.

Image result for cam'ron

Pi’erre Bourne – Harry Potter

03 Wednesday May 2017

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Jamaica, NYC, Pi'erre Bourne, Queens

With recent production including some of the biggest songs on the current rap landscape \like Drake’s ‘Free Smoke’ and Playboy Carti’s ‘Magnolia’ (as well as the lion’s share of the rest of the production on Carti’s self-titled debut mixtape and a lot of work with Young Nudy one of the really underrated artists right now), I decided it was time to find out more and delve into his extensive ‘back catalogue’ on Soundcloud. I found out that not only does this Queens native have a ridiculous amount of material, but that in addition to producing he also raps and is actually pretty good at it.

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Up in Harlem!

16 Sunday Apr 2017

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Big L, Funk Flex, Harlem, Hot 97, Jim Jones, Max B, Ms. Hustle, Neek Bucks, nostalgia, NYC, Vado

https://www.youtube.com/watch?v=jup71qdYYP8

Driving back across the I95 towards the GW Bridge after a short trip to Philly last night and getting eager to get home, I switched from my own playlist over to Funk Flex’s radio show on Hot 97 just to hear Flex going absolutely bezerk (in typical Funkmaster Flex fashion) over this new cut ‘Up in Harlem’ by Miss Hustle featuring Vado and Neek Bucks. “This what my city sound like!” “This what Harlem sound like!” screamed Flex over and over again. I started getting equally hyped and driving faster, becuase playing Flex at max volume after you’ve been driving for a few hours, as he starts going wild, tends to do that to you. At first I thought he was just playing the ‘Up in Harlem’ sound bite from XYZ or I was hoping Jim Jones’ and Max B’s ‘Up in Harlem’ from Jim Jones’ ‘American Gangster’ mixtape from about 10 years ago but I thought this would be unlikely just given how old and obscure the track was. Awesome, but unlikely. To my pleasant surprise, it was a brand new song using the same sample, by a female artist I had never heard before called Ms. Hustle, featuring Vado and Neek Bucks, and they actually killed it.

The sample is from a 1977 hit called ‘Native New Yorker’ by the soul/disco/dance band Oddyssey. Jim Jones and Max B first used it for their own ‘Up in Harlem’ about ten years ago on a track that is one of my favorite Jim Jones songs of all time (if not THE favorite) and may get its own post in the next couple of days, with shimmering production and a great verse by Max B (obviously before their falling out).

But the three artists on this track definitely make it their own and make it a memorable and welcome addition to the Harlem iconography in its own right. Vado pays homage to Harlem and NYC legends like Big L, McGruff, Ma$e and of course Killa Cam in his verse and I love his line ‘Ski rack on the Range, the inside champagne”, and raps the chorus “Where A and Rich got rich at, blocks and strip packs to get crack, grams sold we did that, parades we went strapped… the known mecca forever proud, where you won’t see Kevin Liles but Kevin Chiles, where you was blessed to meet Big L, party with Hud 6, Von Zip”. The ‘parades we went strapped’ line goes perfectly with the sample for the chorus and perfectly captures the rags to riches, 90s-nostalgic uptown vibe of the song. The chorus is rich with references and tributes, to deceased Harlem rappers Big L and Huddy 6 who tragically died before their time, to larger than life neighborhood legend Eric Von Zip, and implying that you’re more likely to see former drug lord Kevin Chiles around than record executive Kevin Liles.

Ms. Hustle keeps it real with a gritty and hard-nosed verse that also captures the vibe of the neighborhood rapping ‘Right up the block from the A Train, outside the Chinese store, go f*ck with Mai Ling, we sell that China White I call it Beijing,’ and ‘Can’t forget the homies up in Polo… all my niggas real they still say ‘no homo’, we shop uptown and get garments from Soho’.

Neek Bucks comes out swinging for his verse rapping ‘All these diamonds can’t see the time tick, laces off the Louie’s ’cause Harlem niggas don’t tie sh*t, ‘jects baby I was born broke Ima die rich, Cuban off of the Coogi I feel like Biggie in nine six.’ Later in the verse, I can’t quite tell what he’s rhyming it with but I also like when he says ‘Get a deal, bail out all my niggas when the advance comes, every time they said I was broke I put a band up, I’m just trying to make a million off a Samsung’.

Image result for NEEK BUCKS

All in all, this collaboration was a great way to bring new life to a classic beat/sample, pay homage to a ton of colorful and larger than life figures in Harlem and NYC history, and showcased the skills of three newer artists from the area. It was a really fun song that gets you hyped up feel good to be in NYC, especially with Funk Flex playing the best parts over and over again and yelling about them in typical Flex fashion, and I hope that it stays in the rotation on New York radio like it deserves to!

Dave East – Mask Off (EastMix)

15 Saturday Apr 2017

Posted by pinkchardonnay in Uncategorized

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Dave East, Harlem, Mask Off, Metro Boomin, NYC

Image result for dave east

I was somewhat neutral towards Future’s Mask Off the first time I heard it but it steadily grew on me after a few listens. You can already see Metro Boomin’s flute-infused beat beginning to cast its influence over other rap production, i.e. Drake’s ‘Portland’ with Quavo and Travis Scott from his new More Life album. I can’t pinpoint why but it also has a vaguely similar vibe to Tunnel Vision on Kodak’s new album, which was also produced by Metro Boomin (this guy is on quite the winning streak right now). It’s just another one of many beats by Metro Boomin that will go down as a touchstone of its era. I was surprised to see that this was actually Future’s highest-charting single of all time, just for the fact that he has had so many huge songs over the years.

Since the song has taken off like a rocket, it’s inevitable that other rappers will be doing their own freestyles/remakes over the unique beat, and one welcome addition is Harlem’s own Dave East, who did his take on it as part of his ‘East Mix’ series. East is a very proficient rapper with a lot of dexterity and he puts it on full display over the Mask Off beat, with a number of impressive lines, for example  my two favorites from  it below…

“Dirty project kids in A-list parties we be wildin in it, steak medium well, mashed potatoes and some salmon with it, a true father won’t cop unless his child can get it… walking up Lennox just ‘cause Malcom did it”

“Back and forth over whose the hottest got the whole city riffin, I ain’t never laced foamposites I wore my Penny’s different, they gave my cousin life so f*ck it I’ll take a million visits.”

So far Dave East has the best take on Mask Off in my humble opinion and it will be a tall order for anyone to displace him at the top, will be interesting to see what song he remakes as his next ‘EastMix’

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