In the Belly of the Beast there’s Shiest the Barbarian!

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I don’t think there was a song that was more summer in uptown NYC Bronx/Harlem in the mid-to late 2000s  than Purple City Byrd Gang, whether it was blasting from car speakers or being one of the main elements that started a fist fight at a house party I remember. The song is unmistakable from the moment the ominous and captivating beat hits in the beginning. Sheist Bubz’s opening verse is  absolutely savage and an all-time classic that perfectly capture of the gritty uptown imagery and swagger of the time; every line from it is a hard hitter from him saying to go ahead and let the fiends into the traphouse, to being a 10th grader going from varsity letterman to getting involved in interstate trafficking  and hopping on a bus to Maryland (presumably either Peter Pan or Grehyound). “Nah I ain’t worrying, send shots and they scurrying, transactions we hurried them, bastards we buried ’em, in the belly of the beast there’s Sheist the Barbarian,” he triumphantly declares at the end. Perhaps the only thing that can overshadow the sheer brutality and bravado of his verse is the 3XL purple Dickies work shirt that he’s sporting with purple Dickies workpants and a purple Yankees hat.

I wasn’t expecting to have two Jim-Jones related posts two days in a row here, but when I woke up this morning I was pleasantly surprised to see Purple City Byrd Gang was seemingly out of nowhere getting some buzz on Twitter from a variety of sources after a tweet from Andrew Barber of Fake Shore Drive, one of my all-time favorite blogs that has introduced me to a lot of music from Chicago I would have otherwise slept on, who boldly and correctly declared, ‘Purple City Byrd Gang video better than Thriller.’

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Jim Jones – More than Just a Hustla

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This little minute and thirty second overlooked masterpiece that Jim Jones threw together is from after Dipset’s glory years were in the rear-view mirror and from about 7 years ago but it’s such a fun, real, captivating 1:30 song that I wanted to pay some quick homage to it this morning. For some reason sunbconsciously this song always reminds me of spring time and with the snow finally melting in NYC this weekend and me breaking out my Jordan slides for the first time in quite a while, it felt like the perfect time to take it out for a spin, and it still holds up really well 7 years later.

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Top 10 Songs March 2017

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Here are my top 10 tracks for March, click the link below the first couple of them to read/listen to the full top 10, and enjoy

Valee – Shell 

Starting off this month is a song I played about 500 times by a newer (at least to me) artist from Chicago, Valee. Clocking in at barely over a minute and a half, I love the simplicity and minimalism used here. I have to give credit to one of my favorite blogs, somanyshrimp.com  as I first heard this on Episode 5 of their great new podcast that they put up every couple of Sundays now. The plot of the story can be condensed into Valee describing a trip to a Shell gas station. As someone who spends a lot of time on the road I can certainly appreciate the appeal of taking a break walking into a Shell or Exxon to grab a cool beverage, although admittedly mine aren’t usually as syruppy as Valee’s.  My favorite part is the description of the Margielas as ‘bumpy Margielles, feel like braille’ something about this description of them makes them sound so luxurious. Also of note in the video is the nice old school Chevy that Valee is taking out for a ride from a very anonymous looking storage unit.

Ripp Flamez – Church in the Projects

I found out about this song on one of my favorite sites, and one I feel like I’ve been checking for as long as I can remember, Dirty Glove . This whole mixtape, Project Melodies, by Ripp Flamez is incredible and very different than anything else out right now, and definitely deserves more views/listens than it already has. I don’t know a lot about the artist Ripp Flamez but he is from Ohio and has a really unique voice/delivery it’s almost more singing than rapping. I could have went with a number of songs from this mixtape for my March Top 10, including standouts like ‘Sunshine’ and ‘Blurry’ but I decided to go with the project’s finale, ‘Church in the Projects’ because overall it was the best track to me and was haunting and alluring all at once. You’ll have to listen to it for yourself but there’s just something resilient that stops you in your tracks about the opening/chorus as he sings ‘I keep my hand on the Bible/they won’t understand I’m a man from the projects/I won’t stand through the nonsense/I’m just a man from a land full of violence.”

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